Paul writes on twitter:
I ported your snowflake generator sketch from 2008 to js and added SVG export for easy laser cutting!
Also good for other kinds of CNC snowflakes, too.
Paul writes on twitter:
I ported your snowflake generator sketch from 2008 to js and added SVG export for easy laser cutting!
Also good for other kinds of CNC snowflakes, too.
Despite what you might guess from the name, our Egg-Bot kit is not just for eggs. In fact, it turns out to be a pretty freaking amazing machine for decorating and personalizing your own Christmas ornaments!
Today we’re releasing the “Eggbot Holiday Super Pak” — a set of Eggbot-ready holiday ornament designs to give you a head start. The set includes the designs above and many more. It’s free, available for download as part of our EggBot Example set (on our GitHub releases page), and will be periodically updated as we add more designs.
Read on for some additional tips and tricks for using ornaments in the Eggbot!
Continue reading Decorating Christmas Ornaments with the Eggbot
What goes into making a WaterColorBot? A lot, it turns out.
It all starts with a 4×8 foot sheet of Oregon-made maple-faced hardwood plywood. We mount the sheet on CNC router for a process that involves five tools (ranging from 0.086″ to .375″ in diameter) and about 2 1/2 hours of cutting time. We can fit 20 WaterColorBot frames, complete with their feet, on a single sheet of wood — efficiently tiled with very little waste. It’s also time efficient: Just under 8 minutes per frame.
The parts are held into the sheet by little tabs, so that they don’t go flying out during the machining process. We chisel them out of the sheet and inspect them prior to sanding. At this point the parts are carefully shaped and detailed but still rough to the touch around the edges.
Next up, sanding. Sanding removes the tabs and smooths the edges and surfaces to the touch. We use a combination of belt, disc, handheld power sander, and hand sanding for the various surfaces. All told, sanding all of the parts takes a little more than than twice as long as it does to cut them out of the sheet. (That might sound backwards until you watch how fast a CNC router moves compared to a human operating a sander.)
After sanding, the parts are clean and smooth, ready for engraving.
A special jig holds the four frame pieces in the laser for engraving. There are two passes, one for the primary markings, and one for the defocussed (blurry, dark) “WaterColorBot!” title text. We also engrave the back side of the top pieces (with a separate jig) with credits and the serial number.
Stacks and stacks of WaterColorBot frame parts, before and after engraving.
The surfaces of the WaterColorBot are covered with a number of stainless steel rivets — either bare or with a ball bearing –that guide the Spectra cord around the frame as pulleys. We individually press-fit them into place with a small 1/2 ton arbor press.
The arrays of the four frame pieces– CNC cut, sanded, laser-engraved, and with their rivets press-fit — are now ready for assembly.
We use another specialized jig to hold the four frame pieces rigidly in place while screwing them together with a torque-limited electric screwdriver.
There are two types of “feet” that get mounted to the frame. The two left feet (always a fun term to use!) have holes in them to route the motor wires, while the two right feet do not. The feet are attached with wood glue, with the help of (yet) another specialized jig.
After that, we mount the back-side cable guide support, and queue the frames up for having their motors attached and final inspection.
The lower-deck pieces (“spoilboards”) are cut from 3/8″ MDF on the CNC router, in a much, much simpler process. They too are sanded and laser engraved, prior to having their paper clips mounted and being queued for inspection and shipping.
Next up: The WaterColorBot carriage. The base of the carriage consists of six pieces of laser-cut 1/4″ plywood. We found a very fast process of attaching these together, which is to clamp the box together with two perpendicular sets of thumbscrews and thumb-nuts (color coded as you see), and to wick in cyanoacrylate (super glue) between the surfaces at a few key points. It takes only a minute to assemble one; much faster than we were able to do with fasteners or wood glue.
After mechanically drilling pilot holes to mount the servo motor, we assemble the rest of the carriage: Four bushings, two flexures that form the vertical linear stage, the servo motor, and the brush holder.
And then finally the 36″ servo extension cable and a laser-cut delrin cable guide, that prevents the cable from dragging on the paper. All neat and tidy.
The winch is also assembled from laser-cut wooden parts. The lower part has the shaft collar that mounts to the motor shaft, and the upper part has two halves that disassemble for cord management. It turns out that the winding-drum part of the winch needs to be quite round and concentric with the motor shaft for smooth operation– smoother than we can get with the laser. We solve this with our very-most-complicated assembly jig, which we’ll write about separately, if there’s interest.
In the kit, the winches come pre-wound with the appropriate length of 100 pound Spectra cord. We actually use an Eggbot as our tool to wind the cord. We mount the “spool” to one of the Eggbot stepper motors, and spin that motor (very quickly) for a set number of full revolutions to wind a fixed amount of cord onto each winch, using a modified version of the WaterColorBot software. Each winch is wound with about 125 inches of cord, in just nine seconds.
A box full of wound winches, ready to be added to our accessory bags.
The steel shafts that move the carriage came as 3 foot long rods, in a wooden crate the size of a coffin. We sent them to a local machine shop to be cut to length, after which they looked much neater.
We ended up purchasing four hundred sets of Crayola Washable Watercolors. After we received our giant drop shipment from Crayola– which was unreasonably fun, in a grade-school sort of a way –we stacked them all on the table to take a photo.
The paints, along with most of the other WaterColorBot accessories– wound winches, water dropper, velcro straps, power supply, and USB cable –get packed up in a pouch that will go in the shipping box.
Our “getting started” booklets — printed and stapled. (We’ll be talking more about documentation in our next update.)
Our shop cat, Zener, has not actually helped out with production whatsoever. She did, however, manage to get her tail caught in the output roller of our (warm and tall) laser printer a couple of days ago, leading to a little down time while printing those booklets. (Cat is OK, less some fur. The printer is still recovering.)
And then, there’s final inspection. All the parts come together (with a giant checklist) in a padded carrying case with a reinforced handle.
The carrying case has a silkscreened cover. The metallic silver printing ink that we used for the first two batches looks really cool, but becomes invisible at a certain angle. So, we’re switching to an aqua blue for the next batch.
The completed WaterColorBot kits go in an outer shipping box, that keeps the carrying case safe for transport. It’s surprising how much of a warehouse you can fill with stacks of boxes!
WaterColorBot kits are shipping now, and we are still taking pre-orders for December shipment.
One of the rewards from the Kickstarter campaign for our WaterColorBot was a “Robo-Painted” thank-you card. Our collaborator Sylvia designed the cards and supervised while the robot painted them.
We (the humans) were a little tired after just signing the insides of 75 cards— we can only imagine how exhausted the WaterColorBot must have been after painting the fronts and insides! They were actually painted in three passes: for the inside “Thank you” text, for the light-blue (extra-wet) background on the front, and for the flower subject on the front.
Of course, the real magic of robotics is that it is so reproducible, card after card. And yet, the real magic of watercolor as a medium is that it isn’t completely reproducible. Look at the subtle little variations caused by the amount of water either in the light blue background or in the flower subject. We see the same kinds of “organic” variation that we might expect from a human artist. Simply wonderful.
The Peek-O-Book is a close relative of the Snap-O-Lantern. The book occasionally opens and peeks out with its LED eyes before snapping shut again to look like a normal book on a shelf.
A compartment is cut into the pages of the book and the circuitry is hidden inside.
The orange LED eyes are affixed to a small piece of wood which is then glued to the cover of the book so that they just fit inside the compartment. The rest of the electronics are nestled inside the compartment.
We made the Peek-O-Book for The Art of Tinkering book release party at the Exploratorium Afterdark event last week. Many of the tinkerers featured in the book were invited to hack a copy of the book. The cabinets in the Tinkering studio were packed full of hacked books and projects from the book. You can see pictures of some of the other hacked books in our photo set.
Barbot 2013 was covered in Popular Science this week, and Drink Making Unit 2.1 made an appearance in the accompanying photo gallery.
Now that Halloween is over, what should you do with all of your leftover Halloween candy? From the archives— make them into fridge magnets!
You can find more Halloween decor projects in our Halloween Project Archive.
Our Traveling Exhibition of Modern Art group costume was featured on the PBS Newshour Art Blog in an article about art themed costumes. Other art costumes highlighted included Lichtenstein, Banksy, Maggrite, and Munch.
We’re big fans of Voronoi diagrams, and use them in StippleGen so it’s awesome to see them in 3D printed pumpkins this Halloween season. Voronoi Pumpkin #1 shown above is available through Shapeways, along with the equally creatively named Voronoi Pumpkin #2. There’s also a Voronoi Jack-o-Lantern on Ponoko, and more even more Voronoi Pumpkins on Thingiverse.
We just got an advance copy of The Art of Tinkering, by our friends at the Tinkering Studio at the Exploratorium.
On their own, science, art, and technology all make for interesting, fun, and rewarding explorations. But when you mix them together, you get a veritable tinkering trifecta in which technological tools and scientific principles let you express your own artistic vision.
We flipped through the wonderful pictures and projects before we took it to the bench for some quick pictures. In the spirit of the book, we put it among a few tools and parts from recently photographed projects that were still on the table.
We found projects by some of our friends, including Ken Murphy, Jie Qi and AnnMarie Thomas. We’re excited that we have a few projects in the book, including our Circuitry Snacks, in a section on Surprising Circuits. The book itself incorporates some circuitry on the cover, which we hope to play with soon!
The book launch party will be at the Exploratorium Afterdark (ages 18+) event on November 7.